CURRENT READING LIST
Arrow, Michelle.![]()
Sydney: NewSouth Publishing, 2019.
Chateigne, Yann, and Markus Miessen, eds.![]()
Berlin: Sternberg Press, 2016.
Goodwin, Richard.![]()
Melbourne: Uro Publications, 2018.
van Schaik, Jan, ed.![]()
Melbourne: A+A Publishing, 2019.
Wicks, Arthur.![]()
Berlin: Kunstlerhaus Bethanien, 1984.
Zonnenberg, Nathalie.![]()
Amsterdam: Valiz, 2019.
Arrow, Michelle.
The Seventies: The Personal, the Political and the Making of Modern Australia.
Chateigne, Yann, and Markus Miessen, eds.
The Archive as a Productive Space of Conflict.
Goodwin, Richard.
God in Reverse.
van Schaik, Jan, ed.
Writing + Concepts 2017.
Wicks, Arthur.
Berlin Notizen und Anderes.
Zonnenberg, Nathalie.
Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation.
CURRENT REFERENCES
Baker, Steve. Process; A Tomato Project. London: Thames and Hudson, 1996.
Bean, Victoria, and Chris McCabe, eds. The New Concrete: Visual Poetry in the 21st Century. London: Hayward Publishing, 2015.
Berger, John. Ways of Seeing. London: Penguin Books, 1977.
Berrebi, Sophie. The Shape of Evidence: Contemporary Art and the Document. Amsterdam: Valiz, 2015.
Butler, Cornelia. From Conceptualism to Feminism: Lucy Lippard's Numbers Shows, 1969-74. London: Afterall, 2012.
Celant, Germano. Arte Povera. New York: Praeger, 1969.
Ellis, Judith, ed. Keeping Archives. Port Melbourne: The Australian Society of Archivists, 1993.
Hughes, Robert. The Shock of the New. London: Thames and Hudson, 1991.
Jodido, Philip. Ando: Complete Works 1975—Today. Cologne: Taschen, 2018.
Koren, Leonard. Wabi-Sabi for Artists, Designers, Poets & Philosophers. Point Reyes: Imperfect Publishing, 2008.
Lippard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkeley: University of California Press, 1973.
McNeil, Paul. The Visual History of Type. London: Laurence King Publishing, 2017.
Mendelsund, Peter. Cover. New York: PowerHouse Books, 2014.
Obrist, Hans Ulrich. A Brief History of Curating. Zurich: JRP Ringier, 2008.
Suderburg, Erika, ed. Space, Site, Intervention: Situating Installation Art. Minneapolis: University of Minnesota Press, 2000.
Virilio, Paul. Bunker Archeology. New York: Princeton Architectural Press, 2014.
Baker, Steve. Process; A Tomato Project. London: Thames and Hudson, 1996.
Bean, Victoria, and Chris McCabe, eds. The New Concrete: Visual Poetry in the 21st Century. London: Hayward Publishing, 2015.
Berger, John. Ways of Seeing. London: Penguin Books, 1977.
Berrebi, Sophie. The Shape of Evidence: Contemporary Art and the Document. Amsterdam: Valiz, 2015.
Butler, Cornelia. From Conceptualism to Feminism: Lucy Lippard's Numbers Shows, 1969-74. London: Afterall, 2012.
Celant, Germano. Arte Povera. New York: Praeger, 1969.
Ellis, Judith, ed. Keeping Archives. Port Melbourne: The Australian Society of Archivists, 1993.
Hughes, Robert. The Shock of the New. London: Thames and Hudson, 1991.
Jodido, Philip. Ando: Complete Works 1975—Today. Cologne: Taschen, 2018.
Koren, Leonard. Wabi-Sabi for Artists, Designers, Poets & Philosophers. Point Reyes: Imperfect Publishing, 2008.
Lippard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkeley: University of California Press, 1973.
McNeil, Paul. The Visual History of Type. London: Laurence King Publishing, 2017.
Mendelsund, Peter. Cover. New York: PowerHouse Books, 2014.
Obrist, Hans Ulrich. A Brief History of Curating. Zurich: JRP Ringier, 2008.
Suderburg, Erika, ed. Space, Site, Intervention: Situating Installation Art. Minneapolis: University of Minnesota Press, 2000.
Virilio, Paul. Bunker Archeology. New York: Princeton Architectural Press, 2014.